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If it’s Tuesday, it’s Secretly Timid. Diane talks crossover, Jon plays with his hair, Danielle dances, and Paul makes a great zombie. In the news today : one town’sÂ aggravatedÂ cock, a call for a ban onÂ circumcision gainingÂ momentum, a boy sells a kidney for an iPad, and a Florida man kills two and avoids jail by paying restitution.
This week’s featured song is “Fragile Bird” by City and Colour.
The 4th short film in a 12 part series which accompanies PJ Harvey’s album, Let England Shake, has now been released.
Here are a few words from director Seamus Murphy:
As with the other films, I wanted to avoid too literal an interpretation of Polly’s lyrics, but to try to remain true to the spirit and feel of the track. The Glorious Land was the third film we edited and completed in Berlin in the cycle of the 12 films, the first was The Words That Maketh Murder and the second was The Last Living Rose. Both editor, Sebastian, and I loved this track, and for me the bugle blast and where it sits is truly a glorious thing. It has the courage to be discordant, out of place and yet perfect on its own terms, surely the quality of great Art? At the first London show at the Troxy last week, when the bugle came in as they played The Glorious Land it was like experiencing the music floating high above the band and audience and hovering over all of us like a massive Jackson Pollack. And it swung.
I had noticed interesting things coming through the trees when driving around Dorset in October. Autumn colours, the sunlight streaming through the trees, the effect of movement during driving, how things changed if I speeded up or slowed down. How the angle at which the camera was held changed things so I started experimenting with shooting and driving. Some of this was shot through the car sunroof straight up into the sky, some deliberately overexposed and out of focus, to increase the abstraction. I particularly liked the white, washed-out look of the sky and how at times there are stretches of pure white. I originally had All And Everyone in my head for these images, but knew visually it could work elsewhere. But when we started editing The Glorious Land it became obvious it was made for it.
A short film by Seamus Murphy